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Bozzini’s 37’th Anniversary Extravaganza
April 6, 2019 @ 5:00 pm - April 7, 2019 @ 4:30 pm$37 - $39
Bozzini’s 37’th Anniversary Extravaganza
Saturday, April 6
1 night 1 afternoon 3 shows 3 great artists
Bozzini’s Upstairs Lounge
Jim Byrnes with David Gogo & Jon Brooks w/Neil Cruikshank (Brickhouse)
Saturday April 6
Early Shows Doors 4:00 Show at 5:00 Tickets $ 37.00
Late Shows Doors 8:00 Show at 9:00 Tickets $ 39.00
THIRD SHOW ADDED BY POPULAR DEMAND!!!
Special Matinee Performance with Jim Byrnes & David Gogo
Sunday April 7 Doors at Noon Show at 2:00 Tickets $ 37
(Jon Brooks will not be performing at this show)
(No refunds – exchanges for a future show allowed up to 48 hrs prior to showtime)
Bozzini’s 37’th Anniversary Concerts is a line-up that is an all-star list of Juno, Maple Blues, & Canadian folk award winners and nominees. These legendary artists who will fill your evening with the best in Roots, Blues, & Folk.
We are proud to feature one of the most decorated blues artists in Canada, The Legendary Jim Byrnes. Also appearing will be David Gogo & one of Canada’s finest songwriters Jon Brooks w/Neil Cruikshank (Brickhouse)
At last years 36’th Anniversary show David Gogo & Jim Byrnes performed together for the first time ever -spontaneous and unrehearsed and it was sublime. Everyone raved and we are bringing them together again for one night. Can’t wait.
– The Legendary Jim Byrnes
Jim Byrnes was born in St. Louis, Missouri – that’s blues country. He grew up on the city’s north side. One of the neighbourhood bars had Ike and Tina Turner as the house band. As a teenager going to music clubs, he and his buddy were often the only white people in the place. “We never had any problems. We were too naïve, and had too much respect for the music and culture – they knew it, they could tell.”
By age thirteen, Jim was singing and playing blues guitar. His first professional gig was in 1964. Over the years, he has had the great good fortune to appear with a virtual who’s who of the blues. From Muddy Waters and John Lee Hooker to Taj Mahal and Robert Cray, Jim has been on the blues highway for 45 years.
Byrnes moved to Vancouver, BC in the mid-70s after years of drifting, working odd jobs and playing music. In 1981 he put together a band that became a staple of the local music scene. In 1986 the Jim Byrnes Band played 300 nights.
Jim Byrnes plays 150 dates a year in North America and Europe. He will continue to bring his music to stages all over the world. Who could ask for more than that?
– David Gogo
With the release of his fifteenth album 17 Vultures, bluesman David Gogo continues his blues rock crusade by pushing himself forward, yet again. Not that looking back on his career is a bad thing.
He has performed on stage with the likes of BB King, Johnny Winter, Albert Collins, Bo Diddley, and Otis Rush. He has been chosen to open shows for ZZ Top, George Thorogood, The Tragically Hip, Little Feat, Jimmie Vaughan, Robert Cray, Robin Trower and Wishbone Ash. His songs are featured in films and television and have been covered by a variety of artists, most notably Buddy Guy.
Never one to be pigeonholed into a strict blues category, this may be his most diverse release to date. Although initially known for his ability to rip it up on lead guitar with his electric performances, Gogo has also built up a solid reputation over the last decade as an acoustic performer with his solo shows that feature his vintage National steel guitar chops, as well as his entertaining stories from the road. Usually he keeps these two sides of his abilities separate, but he features both on the new album.
David Gogo has six JUNO Award nominations, has been named Guitarist Of The Year three times at the Maple Blues Awards, was named Musician Of The Year at the West Coast Music Awards, won Blues Recording Of The Year at the Western Canadian Music Awards
– Jon Brooks
“I write songs to calm those who’ve looked into, and seen, what is in their hearts. I also write songs to terrify those who have not.” – Jon Brooks
It’s a perilous and irresponsible life that pursues an ancient vocation incapable of modern recompense. I’m at once consoled and terrified by Leonard Cohen’s comment that ‘songwriting is not a vocation, but a sentence…’ It’s true that fame and money are the jurors and legislators of success in the current age; and at the mercy of such a court I am unanimously judged a failure. But I can’t help but question such narrow measures of success. Since 2006 I have released 5 albums I remain wholly proud of; I’ve enjoyed the outrageous honour of being blessed to perform for thousands of open hearted and friendly souls the Western world over; as well, The Canadian Folk Music Awards has deemed me worthy of being nominated – a record 4 times – for ‘English Songwriter of the Year’ (2007/2009/2012/2015); in 2010, I became the 4th Canadian since 1975 to win the prestigious Kerrville (Texas) Folk Festival ‘New Folk Award.’ And yet still, on my best day, The Song is woefully all I know. And on many more days, I don’t feel I know The Song at all. Like beauty, The Song remains an eternal mystery to me; and, as often as I chase it, I spend my time considering dropping the sad pursuit altogether for something more secure, more ‘responsible.’ But I’m stuck. The irreconcilable problem is this: I know no other thing more intimately than The Song – and outside of kindness, it’s the one thing in the mournful world I’ve occasionally touched that ascends with purpose, force, and love and so I stay seeking it more or less blindly.