Little Miss Higgins & Her Trio
September 30 @ 7:00 pm - 9:00 pm$33.75
Little Miss Higgins and her Trio
Saturday Sept 30
Doors 5:30 Show 7:00
Tickets $33.75 at Bozzini’s or call 604 792 0744 to reserve by phone
(no refunds – exchanges for other shows allowed up to 48 hours prior to event)
From the Great Northern Plains, Little Miss Higgins struts and serenades her way onto any stage playing music brewed in early country blues, jazz and folk. A Playing, touring, collaborating and recording for over 15 years, this musician and mother now navigates her time through performing and parenthood.
Her six independently released albums and artwork have received many awards and nominations, including a Canadian Folk Music Award nomination for her latest collection of songs, MY HOME, MY HEART (2017). Recorded at The Song Shop in Winnipeg, Manitoba, this album’s sound remains true to Higgins’ roots, but ventures into new territory. Co-produced with Scott Nolan and engineered by Jamie Sitar of Outta Town Sound, this album is an effortless addition to her impressive body of work.
Little Miss Higgins (aka Jolene Higgins) was born in Brooks, Alberta, and raised in Independence, Kansas. Music entered her life early. “When I was about four my dad brought home an old mini-grand piano and told me it was mine. I carved my name in the side of it and then I had to start taking piano lessons.”
Higgins now uses guitar and voice as her main instruments as well as her theatre background to bring a refreshing sound and story to the stage. Higgins settled in Saskatchewan from 2002-2013 and that’s when music took the driver’s seat. Over that time she built her career touring across Canada performing in clubs, theatres and festivals.
As a songwriter and musician, Higgins has been influenced by a range of artists from Memphis Minnie and Billie Holiday to Joni Mitchell and Dolly Parton as well as the vast array of Canadian and International musicians and bands she has had the fortune to see live or even share the stage including kd lang, Corb Lund, Buddy Guy and Maria Muldaur.
Her first two studio albums Cobbler Shop Sessions (2005) and Junction City (2007) superbly showcase Little Miss Higgins as a highly-developed songwriter as well as a remarkable country blues performer in a style gracefully highlighted by her partner at the time and guitarist Foy Taylor and occasionally a handful of other roots musicians.
The release of Junction City resulted in a handful of honours for Little Miss Higgins including JUNO and Maple Blues Awards nominations and won as Outstanding Blues Recording at Western Canadian Music Awards and Favourite Blues Artist/Group or Duo of the Year category of the 8th Annual Indies Awards.
To her fan’s delight, there was the 2009 release Little Miss Higgins Live: Two Nights In March (2009). The album was recorded at Amigo’s Cantina in Saskatoon, and Engineered Air Theatre in Calgary. The album features such favourite performance fare as “The Dirty Ol Tractor Song,” “Velvet Barley Bed,” “In The Middle Of Nowhere” and “I’m Gonna Bake My Biscuits.” as well as a couple of previously unreleased songs including “Snowin’ Today: A Lament For Louis Riel.” which was then recorded in studio for her fourth collection of songs, Across The Plains (2011).
In 2013, Little Miss Higgins teamed up with a very talented quintet of musicians from Manitoba. She calls them the Winnipeg Five—Jimmie James McKee on trumpet, Eric Lemoine on banjo and pedal steel, Blake Thomson on guitar, Patrick Alexandre Leclerc on upright bass, Evan Friesen on drums and all five of them sing harmonies. As they play music in a similar vein as Higgins, it was a fitting alliance both onstage and in the studio…well, not quite a typical recording studio. With new songs waiting on the sidelines, the six of them decided to record in a barn, a barn on a bison ranch in rural Manitoba. Bison Ranch Recording Sessions (2013) received many accolades and lots of radio play.
Higgins has appeared live on many CBC radio shows such as Stuart McLean’s Vinyl Café, Michael Enright’s Sunday Edition and Rich Terfry’s Drive. Her talents have also been put to use in the creation of a dust-bowl folk opera in collaboration with the Old Trout Puppet Workshop of Calgary, Alberta. Sharing her abilities with others, young and old, is another passion; she has taught songwriting at many schools and workshops including the Hornby Island Blues Workshop and Play & Record at the West End Cultural Centre in Winnipeg MB.
Higgins now makes her home in the province of Manitoba with her partner and son. Though motherhood takes up most of her time these days, she continues to perform, write, paint, garden, cook and cultivate her creative spirit.
Dancing The Fire Waltz: Little Miss Higgins Hits the Western Canadian Highways With Songs From Her Latest Project
“The stories are riveting, expertly performed, and the songs- achingly beautiful.” -Bif Naked
Judging by her ambitious output, award-winning musician and songwriter Little Miss Higgins has kept busy during the pandemic. Her new, multifaceted project, The Fire Waltz, is both a five-part miniseries podcast and a full-length album. As well, she will be sharing the songs live on a Western Canadian tour starting October 25, 2022, in Regina SK. Higgins will be joined by co-creator Kris Demeanor and bass player Gilles Fournier.
Inspired by stories of Higgins’s great-grandmother, Eva Bersay, The Fire Waltz is a one-of-a-kind audio experience. A riveting tale of an extraordinary woman, The Fire Waltz follows Eva on her journey to Canada from Jersey Island, off the northern coast of France, during the early 1900s, depicting the power and perils of love, the realities of a world at war and the uncertainties of the aftershocks. Using old photos, postcards, letters, a travel journal and stories gathered from family, the music-driven project took shape in October 2019. Higgins and her two main collaborators, Kris Demeanor and Eric Rose, began by telling the story through song titles. After that, eighteen songs were written in 12 days.
Initially, it was intended for theatre, but when live entertainment changed due to the global pandemic, Higgins switched the approach to be completely auditive. She wanted to link the songs with narrative, drawing on ideas of old radio plays. Script was written, more artists were gathered, and even more songs were created. Working both in studio and remotely, Higgins and her extremely talented team from across Western Canada recorded the project and Season 1 of The Fire Waltz born.