November 18 @ 7:30 pm - 9:30 pm$22.50
Thursday, Nov 18
Doors 6:00 Show 7:30
Tickets $ 22.50 at Bozzini’s or call 604 792 0744 to reserve by phone
(no refunds – exchanges for other shows allowed up to 48 hours prior to event)
BC Gov’t card that the ticket holder has received two doses of an approved Covid 19 vaccine at the time of the show will be required
(Last show of the year as I’ll heading in in for Hip surgery 4 days later – let’s filler up. Thanks Mano)
SCRAPPER was recorded amidst the pandemic… Most of the album was tracked live off the floor on September 11th 2020 at Riverdale Recorders in Edmonton. And then over the next 4 to 5 months the overdub parts were written and recorded between my apartment studio in Edmonton and my parent’s place in Sturgeon County. I’ve been tirelessly working on this album for a while and I am so excited to finally be announcing it today. It’s once again different than anything I’ve previously released – I believe it’s my strongest musical offering to date.
“I’m feeling as if I’m becoming much more myself, and being true to who I am,” he says. “I have become a better listener and I have less fear of what people think. I am doing what I love, making music, and if I can continue to do that then for me, that’s success.”
Having amassed what he estimates to be hundreds of song ideas leading up to recording Cry Baby, Nolan contemplated returning to Nashville where Tornado was made. Ultimately, he chose to remain close to home, holing up over the course of an Edmonton winter with engineer Scott Franchuk at two local studios, The Audio Department and Riverdale Recorders. The process gave Nolan full creative control while also utilizing vintage analog technology.
“Looking at the amount of song ideas I had was kind of scary,” Nolan admits. “The selection process was difficult; I wanted all the songs to flow together in the way an album should sound when you listen front to back. So the biggest challenge for me was not overthinking. We could have gone in so many different directions but I am very happy with how everything ultimately fit together. We actually ended up adding a song I came up with two nights before out first session, ‘Ode To Sturgeon County,’ which I wrote on my grandmother’s old piano.”
Nolan, who has been heralded by outlets such as the Globe & Mail and No Depression as a roots rock wunderkind, is a Canadian star to watch out for in 2020 as he continues to build upon the a massive year that came in the wake of his 2018 independently released album Cry Baby. Over that time, Nolan played over 175 shows across North America and six European countries, most while traveling in his faithful 2003 Dodge Caravan. Along the way he also recorded the EP Rootsy House Sessions in Sweden, and signed deals with Mongrel Music Agency (Chuck Prophet, Lake Street Dive), as well as European label Rootsy Records (John Prine, Patti Griffin, Anderson East). His work also earned the Cobalt Prize for songwriting at the 2018 Maple Blues Awards, as well as Blues Artist Of The Year at the Edmonton Music Awards. Furthermore, Nolan was nominated for Roots Solo Artist Of The Year at Breakout West 2019, capping off a truly momentous comeback, which is still in its early stages.
In the past, Nolan has stated that his definition of rock ‘n roll is an artist letting their heart bleed on and off stage, without any fear. There’s probably no better way to describe Drifters, as on it Nolan once again demonstrates a willingness to venture deeply into the dark corners of his psyche. It’s a trait that puts him in good company with artists he has shared stages with over the past decade, from Wilco and Shakey Graves to The Strumbellas and Hawksley Workman. He may be categorized as a roots artist, but Nolan never wants that tag to define him completely. By drawing inspiration from vintage rock ‘n roll, blues, country and punk, he intends to keep pushing boundaries with every record he makes.
“I’m feeling as if I’m becoming much more myself, and being true to who I am,” Nolan says. “I have become a better listener and I have less fear of what people think. I am doing what I love, making music, and if I can continue to do that then for me, that’s success.”